Yet Sophocles was not content to write tragedies exactly as Aeschylus had done. Tradition reports that Sophocles introduced several innovations in the staging of Greek drama, such as the use of a third actor, scene painting, and a slightly larger chorus. The real contribution of Sophocles, however, was in his approach to plot and character.
She will not budge, and sticks to her motive. Antigone is of the view that the king can get her killed, but she is not going to step down on her thought. She is willing to bear responsibility for her actions, even if she is penalized by death.
She is headstrong, and is fiery enough to even face death for something which she believes in. We are only women, We cannot fight with men, Antigone! She reminds her of their limitations of being born as a woman, and they can do nothing to supersede the king's edict.
Your death is the doing of your own conscious hand. She says her ill-fate was decided when she was born to him, out of such a blasphemous relationship. The chorus replies that man is responsible for his own actions, and he decides his own fate. Choosing to defy the king's order, she chose death, and she alone is responsible for it.
Not many days, And your house will be full of men and women weeping, And curses will be hurled at you from far Cities grieving for sons unburied, left to rot Before the walls of Thebes.
There is no law or force greater than the will of God, and by denying the dead the right to a decent burial, curses will follow.
His 'house', means his family will suffer endlessly as a result of his unwise decisions.
There is no happiness where there is no wisdom; No wisdom but in submission to the gods. Big words are always punished, And proud men in old age learn to be wise.
He who does not act wisely, and thinks himself to be as powerful as god, will suffer. Greed and ego will be punished, yet, sadly, men realize this very late. The inflexible heart breaks first, the toughest iron Cracks first, and the wildest horses bend their necks At the pull of the smallest curb.
He is marveled at her audacity of breaking a law, and being proud of it despite being a woman. The man who thinks that, The man who maintains that only he has the power To reason correctly, the gift to speak, to soul-- A man like that, when you know him, turns out empty.
He tells him that, a man who thinks that he knows everything and is always correct, is the one who fails miserably. It is important to think through different perspectives too.
O my son, These are no trifles! The only crime is pride. He says that his pride will cause him a big loss, hence, it is better if he agrees to bury Polyneices with honor, which any dead person deserves.In Sophocles, The Three Theban Plays translated by Robert Fagles, advice is one thing both Creon and Oedipus did not want to hear from people.
A wise man will make mistake, take advice and learn, but a fool will not, they will let their pride get in the way. Moreover, one of the immortal characters, aside from King Oedipus in the famous trilogy of Sophocles, was Creon.
Creon was Jocasta’s brother and one of those who held the Theban throne. Laius, the King of Thebes had entrusted the throne to Creon while he was in Delphi to confer with the oracle. Creon's fierce dedication to law and order seems to be exactly what Thebes needs.
The city is just coming back together from a state of total anarchy. The people need a strong and steadfast leader to bring them together. Antigone. Antigone is very much her father’s daughter, and she begins her play with the same swift decisiveness with which Oedipus began his.
Within the first fifty lines, she is planning to defy Creon’s order and bury Polynices. Antigone is a famous play by Sophocles, and a part of the three Theban plays. The main protagonist is Antigone, daughter of the King Oedipus.
Eteocles and Polyneices, sons of King Oedipus, are willed to share the throne, but war breaks out between them when one of them refuses to step down.
Both are killed, and King Creon takes over. Sophocles' earliest of the three Theban plays is entitled the Antigone. The focus is on the character traits of the main character of the play Antigone with some analysis of Creon's actions towards Antigone.
The play begins with a general introduction the Greek theatre of the time (the fifth and.